console, studio, music, mixer, sound, broadcast, mixing, audio, equipment, mix, technology, recording, musical, radio, equalizer, digital, solidstatelogic, ssl, music production, green technology, green music, green digital, green radio, radio, ssl, music production, music production, music production, music production, music production
Photo by LeeRosario on Pixabay

Audience research

Part of How to run radio advertising audience research for campaigns

Before you run radio advertising competitor research, check these seven points

A checklist for radio advertising competitor research in England: RAJAR dayparts, Ofcom licences, ICO B2B rules, spot logging and a worked budget example.

What to take away

  • Most teams start by pulling rivals' audio creative, when the useful comparison is daypart by daypart spot activity.
  • RAJAR quarter-hour breakdown data is the only public source for listening by daypart, so build your comparison on it rather than on station rate cards.
  • Check the competitor's station licence position through Ofcom before you assume a slot pattern is fixed.
  • Log every claim you make about a rival's spend, because the ICO's business-to-business marketing rules also shape how you approach their agency.
  • Fix your own measurement window first, or the comparison will not survive a second look.

Set the comparison window first

Pick the weeks you will compare before you open any station data. A four-week window that avoids school holidays and major sport gives a cleaner read than a rolling quarter. Write the dates down and keep them for every competitor you assess.

Without a fixed window, teams end up comparing one brand's Christmas burst with another's summer test. That tells you nothing about share of voice.

Map dayparts against RAJAR

Breakfast, mid-morning, afternoon and drive behave differently for every category. Pull the RAJAR quarter-hour breakdown data and note where your rivals' categories already cluster.

Dayparts vs competitor clustering

Breakfast

Category demand
High
Competitor clustering
Common
Cost per thousand
Higher
Small test budget
Tough

Mid-morning

Category demand
Medium
Competitor clustering
Quieter
Cost per thousand
Lower
Small test budget
Suits

Afternoon

Category demand
Medium
Competitor clustering
Quieter
Cost per thousand
Lower
Small test budget
Suits

Drive

Category demand
High
Competitor clustering
Common
Cost per thousand
Higher
Small test budget
Tough

If three competitors all buy drive, the cost per thousand there will reflect that demand. A quieter daypart may suit a smaller test budget.

Check station licences and formats

Ofcom holds the licence record and format for every UK commercial station. Use the Ofcom organisation pages to confirm who operates a station and what its format allows.

This matters when a competitor looks like it has moved station. Often the operator changed, not the format.

Log spots you can actually hear

Listen to the stations on your shortlist and note the advertiser, the daypart and the rough length of each spot. Two weeks of notes beats a single afternoon.

Record only what you hear. Do not estimate a rival's spend from spot counts, because rate cards rarely match what agencies pay.

Read the agency approach properly

If you plan to contact a competitor's media agency for context, the ICO's business-to-business marketing guidance sets out the rules on corporate subscribers and consent.

Keep the approach factual and short. Ask about category trends, not their client's budget.

Build the comparison table

Use one row per competitor and one column per daypart. Add columns for station, spot length and the week you observed. Keep the table to stations you can actually hear in your target area.

This is the point where many teams discover their own buying has drifted. If that happens, work through the radio advertising audience research guide for England before you change anything.

Worked example on a modest budget

Suppose your brand spends £12,000 a quarter on radio in one English city. Two competitors appear in the same dayparts.

Competitor A runs 30 spots a week on two stations, mostly breakfast. Competitor B runs 12 spots a week on one station, spread across afternoon and drive.

Your own plan buys 20 spots a week, all in drive. The table shows you are the only brand concentrated in a single daypart, which is a finding worth acting on. The figures are illustrative, not measured spend.

Fix the measurement before you conclude

Decide how you will judge whether a change worked. Common choices are response rate by daypart, branded search volume in the weeks after a burst, or a short listener survey.

Write the measure down before the next burst starts. If your target audience definition is still loose, settle it using the guidance on radio advertising target audience in England so the results can be compared like for like.

Common questions

How many competitors should the checklist cover?

Three to five is usually enough for a single English market. More than that and the daypart table becomes hard to read.

Can I rely on rate cards for comparison?

No. Published rates are a starting point, but actual prices depend on volume, daypart and agency deals. Compare activity, not price.

How often should I repeat the research?

Once a quarter aligns with RAJAR reporting periods. Repeat more often only if a rival makes a visible change.

Do I need Ofcom data if I already know the stations?

Yes, because licence records confirm the operator and format. Stations change hands, and the format can restrict what a rival is able to buy.

More in Audience research